Get Smart (2008)

Directed by Peter Segal · Cinematography by Dean Semler

PG-13110 min150 frames

ActionComedyThriller

Saving the world...and loving it.

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Stills, screencaps & shots from Get Smart

16 of 150 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Get Smart (2008) — © Mosaic Media Group, Mad Chance

Get Smart — official trailer

What is Get Smart about?

When members of the nefarious crime syndicate KAOS attack the U.S. spy agency Control and the identities of secret agents are compromised, the Chief has to promote hapless but eager analyst Maxwell Smart to field agent. He is partnered with veteran and capable Agent 99, the only spy whose cover remains intact. Can they work together to thwart the evil world-domination plans of KAOS and its crafty operative?

Where can you watch Get Smart?

US availability for Get Smart (2008). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Get Smart?

Who made Get Smart?

What does the cinematography of Get Smart look like?

Sampled across 149 frames, the coverage of Get Smart leans on medium shots (56% of the sample) and wide compositions (24%). Cinematographer Dean Semler keeps 42% of it in soft, naturalistic light. Night and dusk account for 49% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 60% of the frames, isolating subjects from their surroundings.

What is the color palette of Get Smart?

The dominant colors across the sampled frames of Get Smart (2008) are #31302f, #0e0e0d, #51514f, #f9f9f8, #d2d1cf, #90908f — measured from the per-frame color data FrameThrower extracts for every film.

  • #31302f
  • #0e0e0d
  • #51514f
  • #f9f9f8
  • #d2d1cf
  • #90908f

See the full Get Smart colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

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