Ford V Ferrari (2019)
Directed by James Mangold · Cinematography by Phedon Papamichael
PG-13152 min49 frames
DramaActionHistory
They took the American dream for a ride
Stills, screencaps & shots from Ford V Ferrari
16 of 49 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Ford V Ferrari — official trailer
What is Ford V Ferrari about?
American car designer Carroll Shelby and the British-born driver Ken Miles work together to battle corporate interference, the laws of physics, and their own personal demons to build a revolutionary race car for Ford Motor Company and take on the dominating race cars of Enzo Ferrari at the 24 Hours of Le Mans in France in 1966.
Where can you watch Ford V Ferrari?
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Who stars in Ford V Ferrari?
Who made Ford V Ferrari?
What does the cinematography of Ford V Ferrari look like?
Sampled across 49 frames, the coverage of Ford V Ferrari leans on medium shots (45% of the sample) and wide compositions (39%). Cinematographer Phedon Papamichael keeps 43% of it in soft, low-key light. Night and dusk account for 53% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 65% of the frames, isolating subjects from their surroundings. The production design places the film in the 1960s.
What is the color palette of Ford V Ferrari?
The dominant colors across the sampled frames of Ford V Ferrari (2019) are #303131, #131314, #d6d3cd, #524e49, #8b7053, #f3f4f4 — measured from the per-frame color data FrameThrower extracts for every film.
#303131#131314#d6d3cd#524e49#8b7053#f3f4f4
See the full Ford V Ferrari colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 49 frames of Ford V Ferrari (2019), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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