Foolproof (2003)

Directed by William Phillips · Cinematography by Derek Rogers

R94 min147 frames

Action

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Stills, screencaps & shots from Foolproof

16 of 147 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Foolproof (2003) — © Alliance Atlantis, Ego Film Arts

Foolproof — official trailer

What is Foolproof about?

Kevin, Sam and Rob have an unusual hobby: planning foolproof heists, without intending to actually perform them. The game goes wrong when their latest plan is stolen and carried out. Things get even worse when a mysterious man approaches them with an offer: plan a heist for him, or go to jail. As the clock ticks, they find that the risk might be higher than just their freedom.

Where can you watch Foolproof?

US availability for Foolproof (2003). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Foolproof?

Who made Foolproof?

What does the cinematography of Foolproof look like?

Across 147 sampled frames, Foolproof builds its coverage from medium shots (59% of the sample), with close-ups (29%) carrying much of the rest. Cinematographer Derek Rogers keeps 64% of it in soft, low-key light. 68% of the frames play at night or in the failing light of dusk. Focus stays shallow in 88% of the frames, isolating subjects from their surroundings.

What is the color palette of Foolproof?

The dominant colors across the sampled frames of Foolproof (2003) are #2e2e30, #0d0d0e, #514f4f, #d2d1ce, #313948, #f5f5f5 — measured from the per-frame color data FrameThrower extracts for every film.

  • #2e2e30
  • #0d0d0e
  • #514f4f
  • #d2d1ce
  • #313948
  • #f5f5f5

See the full Foolproof colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 147 frames of Foolproof (2003), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

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