Following (1998)
Directed by Christopher Nolan · Cinematography by Christopher Nolan
R69 min52 frames
DramaThriller
You're never alone.
Stills, screencaps & shots from Following
16 of 52 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Following — official trailer
What is Following about?
Bill, an idle, unemployed aspiring writer, walks the crowded streets of London following randomly chosen strangers, a seemingly innocent entertainment that becomes dangerous when he crosses paths with a mysterious character.
Following is a 1998 British independent neo-noir film written, directed, photographed and edited by Christopher Nolan in his feature film directorial debut. He co-produced the film with his wife, Emma Thomas, and actor Jeremy Theobald. Using a non-linear narrative, it tells the story of an aspiring writer (Theobald) who follows strangers around the streets of London and is drawn into a criminal underworld when he fails to keep his distance.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch Following?
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US availability for Following (1998). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Following?
Who made Following?
What does the cinematography of Following look like?
Sampled across 52 frames, the coverage of Following leans on medium shots (50% of the sample) and close-ups (38%). Cinematographer Christopher Nolan keeps 42% of it in soft, low-key light. Night and dusk account for 42% of the frames. Vintage glass shapes the frame. Focus stays shallow in 87% of the frames, isolating subjects from their surroundings.
What is the color palette of Following?
The dominant colors across the sampled frames of Following (1998) are #080808, #2d2d2d, #4d4d4d, #6e6e6e, #8f8f8f, #b3b3b3 — measured from the per-frame color data FrameThrower extracts for every film.
#080808#2d2d2d#4d4d4d#6e6e6e#8f8f8f#b3b3b3
See the full Following colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
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