Firewalker (1986)
Directed by J. Lee Thompson · Cinematography by Álex Phillips Jr.
PG105 min132 frames
ActionAdventureComedy
A pair of down-and-out fortune hunters cash in on high adventure!
Stills, screencaps & shots from Firewalker
16 of 132 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Firewalker — official trailer
What is Firewalker about?
A pair of adventurers try to track down an ancient Aztec/Mayan/Egyptian/Apache horde of gold.
Firewalker is a 1986 American action-adventure comedy film starring Chuck Norris, Louis Gossett Jr., Will Sampson in his final feature film role, and Melody Anderson. It was directed by J. Lee Thompson and written by Norman Aladjem, Robert Gosnell and Jeffrey M. Rosenbaum.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch Firewalker?
US availability for Firewalker (1986). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Firewalker?
Who made Firewalker?
What does the cinematography of Firewalker look like?
Sampled across 131 frames, the coverage of Firewalker leans on medium shots (60% of the sample) and close-ups (19%). Cinematographer Álex Phillips Jr. keeps 52% of it in soft, low-key light. Night and dusk account for 54% of the frames. Vintage glass shapes the frame. Focus stays shallow in 76% of the frames, isolating subjects from their surroundings.
What is the color palette of Firewalker?
The dominant colors across the sampled frames of Firewalker (1986) are #33302a, #555349, #14120f, #46392c, #4e4a38, #918b76 — measured from the per-frame color data FrameThrower extracts for every film.
#33302a#555349#14120f#46392c#4e4a38#918b76
See the full Firewalker colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 132 frames of Firewalker (1986), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by J. Lee Thompson
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