El Duende Sátiro (2016)

Directed by Jorge Bastidas Zea

88 min42 frames

DramaHorror

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Stills, screencaps & shots from El Duende Sátiro

16 of 42 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

El Duende Sátiro (2016) — © JB Comunicación Audiovisual

What is El Duende Sátiro about?

Legend tells of a girl named Palmira. A teenager, becoming a beautiful woman, her normal small town life took an unexpected turn. A demon expelled from paradise falls in love with her, causing great misfortune; only one can defeat him.

Where can you watch El Duende Sátiro?

US availability for El Duende Sátiro (2016). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in El Duende Sátiro?

Who made El Duende Sátiro?

  • Jorge Bastidas ZeaDirector
  • Sofía SantiProducer

What does the cinematography of El Duende Sátiro look like?

Across 41 sampled frames, El Duende Sátiro builds its coverage from medium shots (51% of the sample), with close-ups (29%) carrying much of the rest. The lighting keeps 46% of it in soft, naturalistic light. 56% of the frames play at night or in the failing light of dusk. Focus stays shallow in 80% of the frames, isolating subjects from their surroundings.

What is the color palette of El Duende Sátiro?

The dominant colors across the sampled frames of El Duende Sátiro (2016) are #2d2d2d, #0c0c0d, #f8f8f6, #4f4f4e, #323944, #cecfcf — measured from the per-frame color data FrameThrower extracts for every film.

  • #2d2d2d
  • #0c0c0d
  • #f8f8f6
  • #4f4f4e
  • #323944
  • #cecfcf

See the full El Duende Sátiro colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 42 frames of El Duende Sátiro (2016), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

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