Edward II (1991)
Directed by Derek Jarman · Cinematography by Ian Wilson
R87 min63 frames
HistoryRomanceDrama
A classic tale of sex, revenge, and love
Stills, screencaps & shots from Edward II
16 of 63 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Edward II — official trailer
What is Edward II about?
England, 14th century. King Edward II falls in love with Piers Gaveston, a young man of humble origins, whom he honors with favors and titles of nobility. The cold and jealous Queen Isabella conspires with the evil Mortimer to get rid of Gaveston, overthrow her husband and take power…
Where can you watch Edward II?
US availability for Edward II (1991). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.
Who stars in Edward II?
Who made Edward II?
What does the cinematography of Edward II look like?
Sampled across 62 frames, the coverage of Edward II leans on medium shots (50% of the sample) and wide compositions (19%). Cinematographer Ian Wilson keeps 77% of it in soft, low-key light. Night and dusk account for 68% of the frames. Vintage glass shapes the frame. Focus stays shallow in 63% of the frames, isolating subjects from their surroundings.
What is the color palette of Edward II?
The dominant colors across the sampled frames of Edward II (1991) are #2f2c2b, #141312, #54514c, #d5d2cf, #45392e, #251911 — measured from the per-frame color data FrameThrower extracts for every film.
#2f2c2b#141312#54514c#d5d2cf#45392e#251911
See the full Edward II colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 63 frames of Edward II (1991), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Derek Jarman
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