Dillinger is Dead (1969)
Directed by Marco Ferreri · Cinematography by Mario Vulpiani
95 min37 frames
Drama
Stills, screencaps & shots from Dillinger is Dead
16 of 37 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Dillinger is Dead — official trailer
What is Dillinger is Dead about?
A man decides to cook for himself and finds a revolver (which may have belonged to John Dillinger) hidden in his kitchen.
Dillinger Is Dead is a 1969 Italian drama film directed by Marco Ferreri starring Michel Piccoli, Anita Pallenberg and Annie Girardot. It follows a bored, alienated man over the course of one night in his home. The title comes from a newspaper headline featured in the film which proclaims the death of the real life American gangster John Dillinger.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch Dillinger is Dead?
US availability for Dillinger is Dead (1969). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.
Who stars in Dillinger is Dead?
Who made Dillinger is Dead?
Marco FerreriDirector- Mario VulpianiCinematography
- Ever HaggiagProducer
- Alfred LevyProducer
What does the cinematography of Dillinger is Dead look like?
Across 37 sampled frames, Dillinger is Dead builds its coverage from medium shots, with close-ups carrying much of the rest. Cinematographer Mario Vulpiani keeps much of it in soft, naturalistic light. Much of the film play at night or in the failing light of dusk. Vintage glass shapes the frame. Focus stays shallow in most of the frames, isolating subjects from their surroundings.
What is the color palette of Dillinger is Dead?
The dominant colors across the sampled frames of Dillinger is Dead (1969) are #322f2c, #f5f5f4, #4f504b, #d2d2cd, #0b0b0b, #cecaad — measured from the per-frame color data FrameThrower extracts for every film.
#322f2c#f5f5f4#4f504b#d2d2cd#0b0b0b#cecaad
See the full Dillinger is Dead colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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