Destroyer (2018)
Directed by Karyn Kusama · Cinematography by Julie Kirkwood
R121 min53 frames
ThrillerCrimeDramaAction
There's nothing to lose when you've already lost everything
Stills, screencaps & shots from Destroyer
16 of 53 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Destroyer — official trailer
What is Destroyer about?
When Erin Bell was a young cop, she was given an undercover assignment that ended badly and destroyed her life. Years later, she must face her demons in order to make peace with her past.
Destroyer is a 2018 American independent neo-noir crime drama film directed by Karyn Kusama, written and co-produced by Phil Hay and Matt Manfredi, and starring Nicole Kidman with Toby Kebbell, Tatiana Maslany, Scoot McNairy, Bradley Whitford, and Sebastian Stan. The film follows a former undercover police officer (Kidman), who takes revenge against members of a gang, years after her case was blown.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch Destroyer?
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US availability for Destroyer (2018). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Destroyer?
Who made Destroyer?
What does the cinematography of Destroyer look like?
Sampled across 52 frames, the coverage of Destroyer leans on medium shots (35% of the sample) and close-ups (31%). Cinematographer Julie Kirkwood keeps 50% of it in soft, naturalistic light. Night and dusk account for 40% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 67% of the frames, isolating subjects from their surroundings.
What is the color palette of Destroyer?
The dominant colors across the sampled frames of Destroyer (2018) are #322e2b, #53504c, #171413, #d3d1cc, #221b14, #8c8c8b — measured from the per-frame color data FrameThrower extracts for every film.
#322e2b#53504c#171413#d3d1cc#221b14#8c8c8b
See the full Destroyer colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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