Crazy, Stupid, Love. (2011)

Directed by Glenn Ficarra, John Requa · Cinematography by Andrew Dunn

PG-13118 min133 frames

ComedyDramaRomance

This is crazy. This is stupid. This is love.

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Stills, screencaps & shots from Crazy, Stupid, Love.

16 of 133 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Crazy, Stupid, Love. (2011) — © Warner Bros. Pictures

Crazy, Stupid, Love. — official trailer

What is Crazy, Stupid, Love. about?

Cal Weaver is living the American dream. He has a good job, a beautiful house, great children and a beautiful wife, named Emily. Cal's seemingly perfect life unravels, however, when he learns that Emily has been unfaithful and wants a divorce. Over 40 and suddenly single, Cal is adrift in the fickle world of dating. Enter, Jacob Palmer, a self-styled player who takes Cal under his wing and teaches him how to be a hit with the ladies.

Where can you watch Crazy, Stupid, Love.?

US availability for Crazy, Stupid, Love. (2011). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Crazy, Stupid, Love.?

Who made Crazy, Stupid, Love.?

What does the cinematography of Crazy, Stupid, Love. look like?

Sampled across 133 frames, the coverage of Crazy, Stupid, Love. leans on medium shots (74% of the sample) and close-ups (18%). Cinematographer Andrew Dunn keeps 37% of it in soft, low-key light. Night and dusk account for 49% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 95% of the frames, isolating subjects from their surroundings.

What is the color palette of Crazy, Stupid, Love.?

The dominant colors across the sampled frames of Crazy, Stupid, Love. (2011) are #32302e, #100f0e, #f9f8f7, #d4d3cd, #534f49, #918776 — measured from the per-frame color data FrameThrower extracts for every film.

  • #32302e
  • #100f0e
  • #f9f8f7
  • #d4d3cd
  • #534f49
  • #918776

See the full Crazy, Stupid, Love. colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

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