Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982)
Directed by Robert Altman · Cinematography by Pierre Mignot
PG109 min42 frames
Drama
A cup of coffee and a side of dreams.
Stills, screencaps & shots from Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean
16 of 42 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean — official trailer
What is Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean about?
On the 20th anniversary of his death, the members of a James Dean fanclub gather at a five-and-dime for a reunion.
Where can you watch Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean?
US availability for Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean?
Who made Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean?
What does the cinematography of Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean look like?
Sampled across 42 frames, the coverage of Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean leans heavily on medium shots (79% of the sample). Cinematographer Pierre Mignot keeps 43% of it in soft, naturalistic light. Night and dusk account for 50% of the frames. Vintage glass shapes the frame, over a texture recalling 16mm. Focus stays shallow in 64% of the frames, isolating subjects from their surroundings. The production design places the film in the 1980s.
What is the color palette of Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean?
The dominant colors across the sampled frames of Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982) are #534844, #cdb3a8, #342926, #47332c, #cba995, #907a70 — measured from the per-frame color data FrameThrower extracts for every film.
#534844#cdb3a8#342926#47332c#cba995#907a70
See the full Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
More films by Robert Altman
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