At Eternity’s Gate (2018)

Directed by Julian Schnabel · Cinematography by Benoît Delhomme

PG-13111 min60 frames

Drama

A Grain of Madness is the Best of Art

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Stills, screencaps & shots from At Eternity’s Gate

16 of 60 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

At Eternity’s Gate (2018) — © Iconoclast, Rahway Road Productions

At Eternity’s Gate — official trailer

What is At Eternity’s Gate about?

Famed but tormented artist Vincent van Gogh spends his final years in Arles, France, painting masterworks of the natural world that surrounds him.

Where can you watch At Eternity’s Gate?

US availability for At Eternity’s Gate (2018). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in At Eternity’s Gate?

Who made At Eternity’s Gate?

What does the cinematography of At Eternity’s Gate look like?

Sampled across 60 frames, the coverage of At Eternity’s Gate leans on close-ups (37% of the sample) and wide compositions (32%). The camera returns again and again to low angles. Cinematographer Benoît Delhomme keeps 78% of it in soft, naturalistic light. This is largely a daylight film — 62% of the frames play in daylight. Vintage glass shapes the frame. Focus stays shallow in 68% of the frames, isolating subjects from their surroundings.

What is the color palette of At Eternity’s Gate?

The dominant colors across the sampled frames of At Eternity’s Gate (2018) are #30322c, #51534d, #aca794, #121410, #324953, #30526e — measured from the per-frame color data FrameThrower extracts for every film.

  • #30322c
  • #51534d
  • #aca794
  • #121410
  • #324953
  • #30526e

See the full At Eternity’s Gate colour palette — every hex with its share, plus warmth, saturation and luminance.

At Eternity’s Gate ranks in

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Techniques in this film

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