At Close Range (1986)
Directed by James Foley · Cinematography by Juan Ruiz Anchía
R116 min66 frames
CrimeDramaThriller
Like father. Like son. Like hell.
Stills, screencaps & shots from At Close Range
16 of 66 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















At Close Range — official trailer
What is At Close Range about?
Brad Whitewood Jr. lives in rural Pennsylvania and has few prospects. Against his mother's wishes, he seeks out his estranged father, the head of a gang of thieves in a nearby town. Though his new girlfriend supports his criminal ambitions, Brad Jr. soon learns that his father is a dangerous man. Inspired by the real events that led to the end of the Johnston Gang, who operated in the northeastern United States in the 1970s.
Where can you watch At Close Range?
US availability for At Close Range (1986). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in At Close Range?
Who made At Close Range?
What does the cinematography of At Close Range look like?
Sampled across 65 frames, the coverage of At Close Range leans on medium shots (38% of the sample) and wide compositions (31%). Cinematographer Juan Ruiz Anchía keeps 66% of it in soft, low-key light. Night and dusk account for 65% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 62% of the frames, isolating subjects from their surroundings. The production design places the film in the 1980s.
What is the color palette of At Close Range?
The dominant colors across the sampled frames of At Close Range (1986) are #312f2d, #0f0e0f, #534f4c, #473832, #8b7569, #74716e — measured from the per-frame color data FrameThrower extracts for every film.
#312f2d#0f0e0f#534f4c#473832#8b7569#74716e
See the full At Close Range colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
More films by James Foley
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