Anna Karenina (2012)

Directed by Joe Wright · Cinematography by Seamus McGarvey

R129 min65 frames

DramaRomanceHistory

An epic story of love.

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Stills, screencaps & shots from Anna Karenina

16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Anna Karenina (2012) — © Working Title Films, Focus Features

Anna Karenina — official trailer

What is Anna Karenina about?

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

Where can you watch Anna Karenina?

US availability for Anna Karenina (2012). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Anna Karenina?

Who made Anna Karenina?

What does the cinematography of Anna Karenina look like?

Across 65 sampled frames, Anna Karenina builds its coverage from medium shots (34% of the sample), with wide compositions (31%) carrying much of the rest. Cinematographer Seamus McGarvey keeps 45% of it in soft, low-key light. 54% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Focus stays shallow in 65% of the frames, isolating subjects from their surroundings.

What is the color palette of Anna Karenina?

The dominant colors across the sampled frames of Anna Karenina (2012) are #32302a, #101110, #d5d4ce, #f9f6f2, #d0c8b2, #271a16 — measured from the per-frame color data FrameThrower extracts for every film.

  • #32302a
  • #101110
  • #d5d4ce
  • #f9f6f2
  • #d0c8b2
  • #271a16

See the full Anna Karenina colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 65 frames of Anna Karenina (2012), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

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