All the Way (2016)
Directed by Jay Roach · Cinematography by Jim Denault
TV-14132 min158 frames
DramaHistoryTV Movie
Politics is war.
Stills, screencaps & shots from All the Way
16 of 158 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















All the Way — official trailer
What is All the Way about?
Lyndon B. Johnson's amazing 11-month journey from taking office after JFK's assassination, through the fight to pass the 1964 Civil Rights Act and his own presidential campaign, culminating on the night LBJ is actually elected to the office – no longer the 'accidental President.'
Where can you watch All the Way?
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US availability for All the Way (2016). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in All the Way?
Who made All the Way?
What does the cinematography of All the Way look like?
Sampled across 157 frames, the coverage of All the Way leans heavily on medium shots (66% of the sample). Cinematographer Jim Denault keeps 55% of it in soft, naturalistic light. This is largely a daylight film — 64% of the frames play in daylight. Focus stays shallow in 75% of the frames, isolating subjects from their surroundings. The production design places the film in the 1960s.
What is the color palette of All the Way?
The dominant colors across the sampled frames of All the Way (2016) are #302f2f, #504f4d, #d3d0cb, #f6f6f5, #131313, #8f8e8b — measured from the per-frame color data FrameThrower extracts for every film.
#302f2f#504f4d#d3d0cb#f6f6f5#131313#8f8e8b
See the full All the Way colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 158 frames of All the Way (2016), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Jay Roach
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