Alien (1979)
Directed by Ridley Scott · Cinematography by Derek Vanlint
R117 min65 frames
HorrorScience Fiction
In space no one can hear you scream.
Stills, screencaps & shots from Alien
16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Alien — official trailer
What is Alien about?
During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.
Where can you watch Alien?
US availability for Alien (1979). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Alien?
Who made Alien?
What does the cinematography of Alien look like?
Across 65 sampled frames, Alien builds its coverage from close-ups (35% of the sample), with medium shots (31%) carrying much of the rest. Cinematographer Derek Vanlint keeps 74% of it in soft, low-key light. 63% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 65% of the frames, isolating subjects from their surroundings.
What is the color palette of Alien?
The dominant colors across the sampled frames of Alien (1979) are #0f1010, #2f2e2f, #4d4d4c, #0f1926, #d2d1d0, #f4f5f6 — measured from the per-frame color data FrameThrower extracts for every film.
#0f1010#2f2e2f#4d4d4c#0f1926#d2d1d0#f4f5f6
See the full Alien colour palette — every hex with its share, plus warmth, saturation and luminance.
Alien ranks in
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Techniques in this film
More films by Ridley Scott
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