A White, White Day (2019)
Directed by Hlynur Pálmason · Cinematography by Maria von Hausswolff
109 min53 frames
Drama
Stills, screencaps & shots from A White, White Day
16 of 53 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
A White, White Day — official trailer
What is A White, White Day about?
In a remote Icelandic town, an off duty police chief begins to suspect a local man to have had an affair with his wife, who has recently died in a car accident. Gradually his obsession for finding out the truth accumulates and inevitably begins to endanger himself and his loved ones. A story of grief, revenge and unconditional love.
Where can you watch A White, White Day?
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US availability for A White, White Day (2019). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in A White, White Day?
Who made A White, White Day?
What does the cinematography of A White, White Day look like?
Sampled across 53 frames, the coverage of A White, White Day leans on medium shots (45% of the sample) and close-ups (25%). Cinematographer Maria von Hausswolff keeps 64% of it in soft, naturalistic light. This is largely a daylight film — 60% of the frames play in daylight. Anamorphic glass shapes the frame. Focus stays shallow in 64% of the frames, isolating subjects from their surroundings.
What is the color palette of A White, White Day?
The dominant colors across the sampled frames of A White, White Day (2019) are #50504e, #302f2f, #74716e, #aeadaa, #d0d1cd, #f0f1f2 — measured from the per-frame color data FrameThrower extracts for every film.
#50504e#302f2f#74716e#aeadaa#d0d1cd#f0f1f2
See the full A White, White Day colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 53 frames of A White, White Day (2019), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Hlynur Pálmason
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