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A Man Apart (2003)

Directed by F. Gary Gray · Cinematography by Jack N. Green

R109 min117 frames

ActionDramaCrime

Love changes a man. Revenge tears him apart.

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Stills, screencaps & shots from A Man Apart

16 of 117 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

A Man Apart (2003) movie still: closeup — An austere room features a gray concrete wall and a bright vertical light strip. An older man with a white…A Man Apart (2003) movie still: closeup — A dark vehicle interior features a man sitting in the driver's seat. He faces forward while illuminated by…A Man Apart (2003) movie still: wide — A silhouette of a wooden fence structure stands on a sandy beach at sunset. The ocean surf rolls onto the…A Man Apart (2003) movie still: establishing — A sprawling cemetery features numerous gravestones and a tall central obelisk under clear skies. A…A Man Apart (2003) movie still: medium — A living room interior faces a large glass window overlooking a beach at dusk. Yellow police caution tape…A Man Apart (2003) movie still: establishing — A dimly lit bar features dark wood shelving units filled with stacked wine bottles. Rows of clear…A Man Apart (2003) movie still: medium — A dimly lit interior space with textured walls and a wooden cabinet visible behind. Two men are seated at a…A Man Apart (2003) movie still: medium — A dark, smoke-filled room contains metal shelves partially obscured by heavy shadows. A man in a dark…A Man Apart (2003) movie still: medium — An urban sidewalk area at night bordered by a metal chain-link fence. Three people stand together in…A Man Apart (2003) movie still: closeup — A view from inside a moving vehicle with a blurred gray background visible outside. A man with braided…A Man Apart (2003) movie still: wide — A winding asphalt road passes through a wooded area with dense greenery. A large bus lies overturned on its…A Man Apart (2003) movie still: medium — An outdoor paved plaza with a building facade and small patch of green landscaping. A man in a blue shirt…A Man Apart (2003) movie still: medium — A dark hallway features a heavy metal gate blocking a doorway. Four tactical officers in black vests and…A Man Apart (2003) movie still: medium — A dark, rain-slicked alleyway is cluttered with discarded wooden debris and metal wreckage. A lone man…A Man Apart (2003) movie still: establishing — A sprawling coastal city sits nestled against rolling hills during the late afternoon. A large…A Man Apart (2003) movie still: medium — A car cabin at night viewed from behind the driver through a rain-covered windshield. The driver sits in…
A Man Apart (2003) — © Newman/Tooley Films, "DIA" Productions GmbH & Co. KG

A Man Apart — official trailer

What is A Man Apart about?

When Vetter's wife is killed in a botched hit organized by Diablo, he seeks revenge against those responsible. But in the process, Vetter and Hicks have to fight their way up the chain to get to Diablo but it's easier said than done when all Vetter can focus on is revenge.

Where can you watch A Man Apart?

US availability for A Man Apart (2003). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in A Man Apart?

Who made A Man Apart?

What does the cinematography of A Man Apart look like?

Sampled across 116 frames, the coverage of A Man Apart leans on medium shots (55% of the sample) and close-ups (22%). Cinematographer Jack N. Green keeps 54% of it in soft, low-key light. Night and dusk account for 53% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 78% of the frames, isolating subjects from their surroundings.

What is the color palette of A Man Apart?

The dominant colors across the sampled frames of A Man Apart (2003) are #302f2d, #0e0e0d, #50504c, #d1cfcb, #90908c, #f8f8f7 — measured from the per-frame color data FrameThrower extracts for every film.

  • #302f2d
  • #0e0e0d
  • #50504c
  • #d1cfcb
  • #90908c
  • #f8f8f7

See the full A Man Apart colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

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