12th & Delaware (2010)

Directed by Rachel Grady, Heidi Ewing · Cinematography by Kat Patterson

TV-1481 min26 frames

Documentary

Every day a battle is born.

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Stills, screencaps & shots from 12th & Delaware

16 of 26 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

12th & Delaware (2010) movie still: wide — A low-rise residential building with orange stucco walls sits beside a cracked concrete sidewalk. Four… — 12th & Delaware (2010) — © Loki Films

12th & Delaware (2010) movie still: medium — Three older men in formal vestments sit behind a white altar table. A white candle stands in the… — 12th & Delaware (2010) — © Loki Films

12th & Delaware — official trailer

What is 12th & Delaware about?

The abortion battle continues to rage in unexpected ways on one corner in an American city.

Where can you watch 12th & Delaware?

US availability for 12th & Delaware (2010). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who made 12th & Delaware?

What does the cinematography of 12th & Delaware look like?

Sampled across 26 frames, the coverage of 12th & Delaware leans on medium shots and close-ups. Cinematographer Kat Patterson keeps most of it in soft, naturalistic light. This is largely a daylight film — most of the frames play in daylight. Focus stays shallow in most of the frames, isolating subjects from their surroundings.

What is the color palette of 12th & Delaware?

The dominant colors across the sampled frames of 12th & Delaware (2010) are #f6f4f4, #30302b, #d0cec6, #8b908e, #4f5252, #e9e1d5 — measured from the per-frame color data FrameThrower extracts for every film.

#f6f4f4
#30302b
#d0cec6
#8b908e
#4f5252
#e9e1d5

See the full 12th & Delaware colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 26 frames of 12th & Delaware (2010), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.