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Chantal Akerman

Chantal Akerman

Film director · 6 films (1973–2011)

Chantal Akerman is a director whose work here spans Hotel Monterey (1973) to Almayer’s Folly (2011), across documentary and drama. 3 of those films were photographed by Babette Mangolte. The work runs wide — 29% of frames across the 6 films indexed here, against 20% library-wide. All 230 frames from 6 films are indexed here, searchable by lighting, lens, shot size, colour and mood.

Chantal Anne Akerman was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).

Born 6 June 1950 · Brussels, Belgium · died 5 October 2015

Directing style

Akerman constructs a rigid, observational aesthetic by keeping the camera strictly at eye level, utilizing wide, medium, and establishing shots with deep focus to lock characters within their environments. Her lighting relies on natural and ambient sources, balancing daylight and night scenes across interior and exterior spaces with a mix of sun, fluorescent fixtures, windows, and practical lamps. This clinical staging is rendered in cool, desaturated tones, black-and-white, and a muted palette of slate blues, industrial grays, olive drabs, and earth tones that evoke a lonely, tense, and oppressive atmosphere.

Awards

  • Commander of the Order of Leopold · 2004

IMDb ↗TMDB ↗

Films directed by Chantal Akerman

About Chantal Akerman

When was Chantal Akerman born?

Chantal Akerman was born on 6 June 1950 in Brussels, Belgium and died on 5 October 2015.

What films has Chantal Akerman directed?

FrameThrower holds stills from 6 of them: Hotel Monterey (1973), Je Tu Il Elle (1974), Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975), News From Home (1977), From The East (1993) and Almayer’s Folly (2011).

What awards has Chantal Akerman won?

Commander of the Order of Leopold (2004).

Search every frame of Chantal Akerman’s films

All 230 indexed frames from 6 films directed by Chantal Akerman — searchable by lighting, lens, shot size, mood or plain language.