Dogville (2003)

Directed by Lars von Trier · Cinematography by Anthony Dod Mantle

R171 min61 frames

CrimeDramaThriller

A quiet little town not far from here.

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Stills, screencaps & shots from Dogville

16 of 61 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Dogville (2003) — © Zentropa Entertainments, Isabella Films B.V.

Dogville — official trailer

What is Dogville about?

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

Where can you watch Dogville?

US availability for Dogville (2003). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Dogville?

Who made Dogville?

What does the cinematography of Dogville look like?

Across 61 sampled frames, Dogville builds its coverage from wide compositions (43% of the sample), with medium shots (18%) carrying much of the rest. High angles recur throughout. Cinematographer Anthony Dod Mantle keeps 66% of it in low-key light. 52% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Deep focus keeps foreground and background readable at once in 57% of the frames.

What is the color palette of Dogville?

The dominant colors across the sampled frames of Dogville (2003) are #312e2d, #0e0d0d, #55504e, #d6d4ce, #88786d, #f9f9f7 — measured from the per-frame color data FrameThrower extracts for every film.

  • #312e2d
  • #0e0d0d
  • #55504e
  • #d6d4ce
  • #88786d
  • #f9f9f7

See the full Dogville colour palette — every hex with its share, plus warmth, saturation and luminance.

Dogville ranks in

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Techniques in this film

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