Catch 22 (1970)
Directed by Mike Nichols · Cinematography by David Watkin
R122 min55 frames
WarComedy
The nice thing about war is that the person who kills you really has nothing against you. Personally.
Stills, screencaps & shots from Catch 22
16 of 55 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Catch 22 — official trailer
What is Catch 22 about?
A WWII military pilot makes a valiant effort to be certified insane in order to be excused from flying missions. But there's a catch.
Where can you watch Catch 22?
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US availability for Catch 22 (1970). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Catch 22?
Who made Catch 22?
What does the cinematography of Catch 22 look like?
Across 54 sampled frames, Catch 22 builds its coverage from medium shots (41% of the sample), with wide compositions (28%) carrying much of the rest. Cinematographer David Watkin keeps 52% of it in soft, naturalistic light. Daylight carries most of the picture. Anamorphic glass shapes the frame. Focus stays shallow in 61% of the frames, isolating subjects from their surroundings. The production design places the film in the 1940s.
What is the color palette of Catch 22?
The dominant colors across the sampled frames of Catch 22 (1970) are #342f2b, #575049, #8b7b6b, #d6d1c9, #8b7252, #181513 — measured from the per-frame color data FrameThrower extracts for every film.
#342f2b#575049#8b7b6b#d6d1c9#8b7252#181513
See the full Catch 22 colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
More films by Mike Nichols
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