The Graduate (1967)
Directed by Mike Nichols · Cinematography by Robert Surtees
PG106 min59 frames
DramaRomanceComedy
This is Benjamin. He’s a little worried about his future.
Stills, screencaps & shots from The Graduate
16 of 59 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
The Graduate — official trailer
What is The Graduate about?
A disillusioned college graduate finds himself torn between his older lover and her daughter.
The Graduate is a 1967 American romantic comedy-drama film directed by Mike Nichols, adapted by Buck Henry and Calder Willingham from Charles Webb's 1963 novella. It stars Dustin Hoffman, Anne Bancroft, and Katharine Ross. The film follows Benjamin Braddock (Hoffman), a recent college graduate who is seduced by an older married woman, Mrs. Robinson (Bancroft), but falls for her daughter, Elaine (Ross). The soundtrack was recorded by Simon & Garfunkel, and featured the hit single "Mrs. Robinson".
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch The Graduate?
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US availability for The Graduate (1967). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Graduate?
Who made The Graduate?
What does the cinematography of The Graduate look like?
Sampled across 58 frames, the coverage of The Graduate leans on medium shots (53% of the sample) and wide compositions (21%). Cinematographer Robert Surtees keeps 41% of it in soft, high-key light. Anamorphic glass shapes the frame. Focus stays shallow in 66% of the frames, isolating subjects from their surroundings. The production design places the film in the 1960s.
What is the color palette of The Graduate?
The dominant colors across the sampled frames of The Graduate (1967) are #33322e, #d6d3ca, #f3f2ef, #13120f, #a98e72, #46362d — measured from the per-frame color data FrameThrower extracts for every film.
#33322e#d6d3ca#f3f2ef#13120f#a98e72#46362d
See the full The Graduate colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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