
The Invisible Man (1933) (1933) colour palette
Directed by James Whale · Shot by Arthur Edeson
- #060606near black · 20.3%
- #2f2f2fdark grey · 14.5%
- #8d8d8dmid grey · 14.5%
- #484848dark grey · 12.9%
- #6d6d6dmid grey · 11.4%
- #afafaflight grey · 9.5%
The Invisible Man (1933) (1933), shot by Arthur Edeson, is monochrome: across 65 sampled frames the palette carries effectively no colour, so its look is built from mid-key tonal range rather than hue. The single most common colour is near black (#060606), covering 20.3% of sampled colour. Overall the image sits mid-key.
Colour
Monochrome
below 0.05 mean saturation
Saturation
monochrome
0 — more saturated than 0% of ranked films
Luminance
mid-key
0.412 — brighter than 48% of ranked films
Measured across 65 frames. See the frames on the The Invisible Man (1933) page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
Search the frames behind The Invisible Man (1933)
Every colour here comes from a real frame. Search by colour, lighting, lens and mood — $2 of credits free, no card.
These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.