The Matrix (1999)

Directed by Lana Wachowski, Lilly Wachowski · Cinematography by Bill Pope

R136 min68 frames

ActionScience Fiction

Believe the unbelievable.

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Stills, screencaps & shots from The Matrix

16 of 68 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

The Matrix (1999) — © Village Roadshow Pictures, Groucho II Film Partnership

The Matrix — official trailer

What is The Matrix about?

Set in the 22nd century, The Matrix tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth.

Where can you watch The Matrix?

US availability for The Matrix (1999). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in The Matrix?

Who made The Matrix?

What does the cinematography of The Matrix look like?

Across 68 sampled frames, The Matrix builds its coverage from close-ups (29% of the sample), with medium shots (28%) carrying much of the rest. Cinematographer Bill Pope keeps 59% of it in soft, low-key light. 43% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 59% of the frames, isolating subjects from their surroundings. The production design places the film in the 1990s.

What is the color palette of The Matrix?

The dominant colors across the sampled frames of The Matrix (1999) are #0c100d, #2b322a, #354733, #4d554b, #566955, #162515 — measured from the per-frame color data FrameThrower extracts for every film.

  • #0c100d
  • #2b322a
  • #354733
  • #4d554b
  • #566955
  • #162515

See the full The Matrix colour palette — every hex with its share, plus warmth, saturation and luminance.

The Matrix ranks in

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 68 frames of The Matrix (1999), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

More films by Lana Wachowski, Lilly Wachowski

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