The Mask (1994)
Directed by Chuck Russell · Cinematography by John R. Leonetti
PG-13101 min65 frames
RomanceComedyCrimeFantasy
From zero to hero.
Stills, screencaps & shots from The Mask
16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















The Mask — official trailer
What is The Mask about?
Stanley Ipkiss, an insecure banker who has lost his zest for life stumbles upon an ancient mask, that turns him into a confident suave cartoon-like character who upsets his ordinary life.
Where can you watch The Mask?
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US availability for The Mask (1994). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Mask?
Who made The Mask?
What does the cinematography of The Mask look like?
Across 65 sampled frames, The Mask builds its coverage from medium shots (57% of the sample), with wide compositions (15%) carrying much of the rest. Cinematographer John R. Leonetti keeps 63% of it in soft, low-key light. 74% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 72% of the frames, isolating subjects from their surroundings. The production design places the film in the 1990s.
What is the color palette of The Mask?
The dominant colors across the sampled frames of The Mask (1994) are #2d2b2c, #0f0d0e, #0b1128, #f6f5f8, #d2d1cc, #493731 — measured from the per-frame color data FrameThrower extracts for every film.
#2d2b2c#0f0d0e#0b1128#f6f5f8#d2d1cc#493731
See the full The Mask colour palette — every hex with its share, plus warmth, saturation and luminance.
The Mask ranks in
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Techniques in this film
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