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The Human Condition I: No Greater Love (1959)

Directed by Masaki Kobayashi · Cinematography by Yoshio Miyajima

208 min61 frames

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The Immortal Story.

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Stills, screencaps & shots from The Human Condition I: No Greater Love

16 of 61 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

The Human Condition I: No Greater Love (1959) movie still: medium — A dim, cramped space features a brick wall and a small bed. A woman leans over a…The Human Condition I: No Greater Love (1959) movie still: medium — A dark, cramped dining area with stone walls and a wooden staircase in back.…The Human Condition I: No Greater Love (1959) movie still: wide — A vast, barren industrial landscape features piles of dark excavated earth and…The Human Condition I: No Greater Love (1959) movie still: wide — A low-ceiling basement room features brick walls and a desk with a map. Four men…The Human Condition I: No Greater Love (1959) movie still: wide — A stark room features bare brick walls and a single wooden table. Four individuals…The Human Condition I: No Greater Love (1959) movie still: medium — A dimly lit room with patterned wallpaper, a bookshelf with lattice glass doors…The Human Condition I: No Greater Love (1959) movie still: medium — An expansive, flat, and dry grassy field stretches toward a distant horizon…The Human Condition I: No Greater Love (1959) movie still: medium — A desolate outdoor environment with an overcast, bright sky background. A…The Human Condition I: No Greater Love (1959) movie still: medium — A dark interior of a traditional Japanese home with sliding doors and textured…The Human Condition I: No Greater Love (1959) movie still: wide — A line of soldiers in uniform stands on a dry, rocky expanse aiming rifles.…The Human Condition I: No Greater Love (1959) movie still: medium — An embankment at night is divided by a line of barbed wire fencing. A woman…The Human Condition I: No Greater Love (1959) movie still: fullbody — A man and woman kneel facing each other on a dark, barren industrial hill. The…The Human Condition I: No Greater Love (1959) movie still: wide — An outdoor gathering stands in front of a stone torii gate and pagoda. A man…The Human Condition I: No Greater Love (1959) movie still: medium — A Japanese interior features shoji screens and a table set for a meal. A man…The Human Condition I: No Greater Love (1959) movie still: medium — A rustic stone-walled room with a dimly lit kerosene lamp in the background. A…The Human Condition I: No Greater Love (1959) movie still: wide — A desolate mountainous area with a flat, dirt-covered foreground under an overcast…
The Human Condition I: No Greater Love (1959) — © Ninjin Club

The Human Condition I: No Greater Love — official trailer

What is The Human Condition I: No Greater Love about?

After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labour chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts and moves with his newlywed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.

Where can you watch The Human Condition I: No Greater Love?

US availability for The Human Condition I: No Greater Love (1959). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in The Human Condition I: No Greater Love?

Who made The Human Condition I: No Greater Love?

What does the cinematography of The Human Condition I: No Greater Love look like?

Across 61 sampled frames, The Human Condition I: No Greater Love builds its coverage from medium shots (39% of the sample), with wide compositions (38%) carrying much of the rest. Cinematographer Yoshio Miyajima keeps 48% of it in soft, naturalistic light. 43% of the frames play at night or in the failing light of dusk. Deep focus keeps foreground and background readable at once in 74% of the frames.

What is the color palette of The Human Condition I: No Greater Love?

The dominant colors across the sampled frames of The Human Condition I: No Greater Love (1959) are #6e6e6e, #060606, #cdcdcd, #8f8f8f, #2e2e2e, #4b4b4b — measured from the per-frame color data FrameThrower extracts for every film.

  • #6e6e6e
  • #060606
  • #cdcdcd
  • #8f8f8f
  • #2e2e2e
  • #4b4b4b

See the full The Human Condition I: No Greater Love colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

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Techniques in this film

More films by Masaki Kobayashi

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