Taking Back the Waves (2017)
Directed by Genevieve Clay-Smith · Cinematography by Dale Alexander Bremner
15 min83 frames
Documentary
Stills, screencaps & shots from Taking Back the Waves
16 of 83 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















What is Taking Back the Waves about?
Paralympian Paul Nunnari takes a road trip up Australia's famous coastline to explore the different barriers of access that people with disabilities face when trying to enjoy the beach.
Who stars in Taking Back the Waves?
Who made Taking Back the Waves?
Genevieve Clay-SmithDirector- Dale Alexander BremnerCinematography
What does the cinematography of Taking Back the Waves look like?
Across 82 sampled frames, Taking Back the Waves builds its coverage from establishing shots (30% of the sample), with wide compositions (29%) carrying much of the rest. Cinematographer Dale Alexander Bremner keeps 84% of it in naturalistic light. Daylight carries most of the picture. Deep focus keeps foreground and background readable at once in 57% of the frames.
What is the color palette of Taking Back the Waves?
The dominant colors across the sampled frames of Taking Back the Waves (2017) are #2c3032, #4b5151, #a8aeaf, #899090, #d0d3d2, #727574 — measured from the per-frame color data FrameThrower extracts for every film.
#2c3032#4b5151#a8aeaf#899090#d0d3d2#727574
See the full Taking Back the Waves colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
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