Rabbit’s Moon (1950)
Directed by Kenneth Anger · Cinematography by Kenneth Anger, Oleg Tourjansky
7 min14 frames
Fantasy
Stills, screencaps & shots from Rabbit’s Moon
14 of 14 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.














What is Rabbit’s Moon about?
A Japanese fairy tale meets commedia dell'Arte. All in white, the naïf Pierrot lies in a wood. Doo-wop music plays as he rises, stares about, and reaches for the moon. Although music abounds and the children of the wood are there at play, Pierrot is melancholy and alone. Harlequin appears, brimming with confidence and energy. He conjures the lovely Colombina. Pierrot is dazzled. But can the course of true love run smooth?
Who stars in Rabbit’s Moon?
Who made Rabbit’s Moon?
What does the cinematography of Rabbit’s Moon look like?
Sampled across 14 frames, the coverage of Rabbit’s Moon leans heavily on medium shots. The camera returns again and again to high angles. Cinematographer Kenneth Anger keeps most of it in soft, low-key light. Night and dusk account for most of the frames. Vintage glass shapes the frame. Deep focus keeps foreground and background readable at once in most of the frames.
What is the color palette of Rabbit’s Moon?
The dominant colors across the sampled frames of Rabbit’s Moon (1950) are #f8f8fb, #042c67, #001c4a, #00328a, #004599, #a9c9f8 — measured from the per-frame color data FrameThrower extracts for every film.
#f8f8fb#042c67#001c4a#00328a#004599#a9c9f8
See the full Rabbit’s Moon colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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