Firepower (1979)

Directed by Michael Winner · Cinematography by Robert Paynter

R104 min126 frames

ActionAdventure

The Target: The world's richest man. The Deal: Bring him back alive. The Prize: A million in cash.

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Stills, screencaps & shots from Firepower

16 of 126 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Firepower (1979) — © Scimitar Productions, ITC Entertainment

Firepower — official trailer

What is Firepower about?

A mercenary is hired by the FBI to track down a powerful recluse criminal, a woman is also trying to track him down for her own personal vendetta.

Where can you watch Firepower?

US availability for Firepower (1979). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Firepower?

Who made Firepower?

What does the cinematography of Firepower look like?

Across 124 sampled frames, Firepower builds its coverage from medium shots (53% of the sample), with wide compositions (24%) carrying much of the rest. Cinematographer Robert Paynter keeps 85% of it in soft, low-key light. 85% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 66% of the frames, isolating subjects from their surroundings.

What is the color palette of Firepower?

The dominant colors across the sampled frames of Firepower (1979) are #110e0e, #312c2b, #554f4e, #261b17, #47362e, #8a796c — measured from the per-frame color data FrameThrower extracts for every film.

  • #110e0e
  • #312c2b
  • #554f4e
  • #261b17
  • #47362e
  • #8a796c

See the full Firepower colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 126 frames of Firepower (1979), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

More films by Michael Winner

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