Chato's Land (1972)
Directed by Michael Winner · Cinematography by Robert Paynter
PG100 min222 frames
Western
What Chato's land doesn't kill, Chato will.
Stills, screencaps & shots from Chato's Land
16 of 222 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Chato's Land — official trailer
What is Chato's Land about?
In 1870s New Mexico, a half-breed kills a bigoted sheriff in self-defense but the posse that eventually hunts him finds itself in dangerous territory.
Where can you watch Chato's Land?
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US availability for Chato's Land (1972). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Chato's Land?
Who made Chato's Land?
What does the cinematography of Chato's Land look like?
Sampled across 200 frames, the coverage of Chato's Land leans on medium shots (40% of the sample) and wide compositions (36%). Cinematographer Robert Paynter keeps 80% of it in soft, naturalistic light. This is largely a daylight film — 81% of the frames play in daylight. Deep focus keeps foreground and background readable at once in 57% of the frames. The production design places the film in the 1800s.
What is the color palette of Chato's Land?
The dominant colors across the sampled frames of Chato's Land (1972) are #36322e, #56534a, #a59c8a, #4f473a, #79756b, #918875 — measured from the per-frame color data FrameThrower extracts for every film.
#36322e#56534a#a59c8a#4f473a#79756b#918875
See the full Chato's Land colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
More films by Michael Winner
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