The Man Who Killed Hitler and Then the Bigfoot (2018) colour palette
Directed by Robert D. Krzykowski · Shot by Alex Vendler
- #0f0e0enear black · 12.3%
- #30302adark grey · 10.3%
- #28140fdeep red · 4.5%
- #92927cmid grey · 3.9%
- #515249dark grey · 3.9%
- #1c2731deep blue · 3.9%
The Man Who Killed Hitler and Then the Bigfoot (2018), shot by Alex Vendler, runs muted and strongly warm, measured across 31 sampled frames. Its two dominant hue families are orange and red. The single most common colour is near black (#0f0e0e), covering 12.3% of sampled colour. Overall the image sits dark.
Warmth
strongly warm
0.612 on −1 cool to +1 warm
Saturation
muted
0.279 — more saturated than 63% of ranked films
Luminance
dark
0.331 — brighter than 5% of ranked films
Measured across 31 frames. See the frames on the The Man Who Killed Hitler and Then the Bigfoot page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
Search the frames behind The Man Who Killed Hitler and Then the Bigfoot
Every colour here comes from a real frame. Search by colour, lighting, lens and mood — $2 of credits free, no card.
These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.