Seance on a Wet Afternoon (1964) colour palette
Directed by Bryan Forbes · Shot by Gerry Turpin
- #020202near black · 19.6%
- #313131dark grey · 13.8%
- #8e8e8emid grey · 13.1%
- #6f6f6fmid grey · 12.3%
- #cacacalight grey · 11.5%
- #fefefenear white · 11.2%
Seance on a Wet Afternoon (1964), shot by Gerry Turpin, is monochrome: across 52 sampled frames the palette carries effectively no colour, so its look is built from mid-key tonal range rather than hue. The single most common colour is near black (#020202), covering 19.6% of sampled colour. Overall the image sits mid-key.
Colour
Monochrome
below 0.05 mean saturation
Saturation
monochrome
0 — more saturated than 0% of ranked films
Luminance
mid-key
0.443 — brighter than 72% of ranked films
Measured across 52 frames. See the frames on the Seance on a Wet Afternoon page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
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These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.