Port of Call (1948) colour palette
Directed by Ingmar Bergman · Shot by Gunnar Fischer
- #050505near black · 17.5%
- #8e8e8emid grey · 15.3%
- #303030dark grey · 14.7%
- #6c6c6cmid grey · 13.1%
- #cbcbcblight grey · 12.8%
- #494949dark grey · 11.6%
Port of Call (1948), shot by Gunnar Fischer, is monochrome: across 65 sampled frames the palette carries effectively no colour, so its look is built from mid-key tonal range rather than hue. The single most common colour is near black (#050505), covering 17.5% of sampled colour. Overall the image sits mid-key.
Colour
Monochrome
below 0.05 mean saturation
Saturation
monochrome
0 — more saturated than 0% of ranked films
Luminance
mid-key
0.427 — brighter than 58% of ranked films
Measured across 65 frames. See the frames on the Port of Call page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
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These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.