Elizabeth Taylor: The Lost Tapes (2024) colour palette
Directed by Nanette Burstein
- #fafaf9near white · 12.9%
- #040404near black · 12.1%
- #cac9c8light grey · 10.4%
- #474746dark grey · 8.5%
- #2f2b2bdark grey · 8.4%
- #858584mid grey · 8.2%
Elizabeth Taylor: The Lost Tapes (2024) runs heavily desaturated and strongly warm, measured across 129 sampled frames. Its two dominant hue families are orange and red. The single most common colour is near white (#fafaf9), covering 12.9% of sampled colour. Overall the image sits mid-key.
Warmth
strongly warm
0.688 on −1 cool to +1 warm
Saturation
heavily desaturated
0.114 — more saturated than 5% of ranked films
Luminance
mid-key
0.511 — brighter than 96% of ranked films
Measured across 129 frames. See the frames on the Elizabeth Taylor: The Lost Tapes page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
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These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.