White Light/Black Rain: The Destruction of Hiroshima and Nagasaki (2007)

Directed by Steven Okazaki

86 min61 frames

DocumentaryWar

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Stills, screencaps & shots from White Light/Black Rain: The Destruction of Hiroshima and Nagasaki

16 of 61 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

White Light/Black Rain: The Destruction of Hiroshima and Nagasaki (2007) movie still: closeup — A close view of a person pouring liquid into a glass… — White Light/Black Rain: The Destruction of Hiroshima and Nagasaki (2007) — © HBO Documentary Films

White Light/Black Rain: The Destruction of Hiroshima and Nagasaki (2007) movie still: medium — A watercolor painting depicts a Japanese-style roof… — White Light/Black Rain: The Destruction of Hiroshima and Nagasaki (2007) — © HBO Documentary Films

What is White Light/Black Rain: The Destruction of Hiroshima and Nagasaki about?

Steven Okazaki presents a deeply moving look at the painful legacy of the first -- and hopefully last -- uses of nuclear weapons in war. Featuring interviews with fourteen atomic bomb survivors - many who have never spoken publicly before - and four Americans intimately involved in the bombings, White Light/Black Rain provides a detailed exploration of the bombings and their aftermath.

Where can you watch White Light/Black Rain: The Destruction of Hiroshima and Nagasaki?

US availability for White Light/Black Rain: The Destruction of Hiroshima and Nagasaki (2007). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in White Light/Black Rain: The Destruction of Hiroshima and Nagasaki?

Who made White Light/Black Rain: The Destruction of Hiroshima and Nagasaki?

Steven OkazakiDirector

What does the cinematography of White Light/Black Rain: The Destruction of Hiroshima and Nagasaki look like?

Sampled across 61 frames, the coverage of White Light/Black Rain: The Destruction of Hiroshima and Nagasaki leans on medium shots (36% of the sample) and wide compositions (31%). The lighting keeps 80% of it in soft, naturalistic light. This is largely a daylight film — 74% of the frames play in daylight. Deep focus keeps foreground and background readable at once in 67% of the frames.

What is the color palette of White Light/Black Rain: The Destruction of Hiroshima and Nagasaki?

The dominant colors across the sampled frames of White Light/Black Rain: The Destruction of Hiroshima and Nagasaki (2007) are #cdccca, #4b4a49, #312f2f, #fbfbfb, #878785, #ababa9 — measured from the per-frame color data FrameThrower extracts for every film.

#cdccca
#4b4a49
#312f2f
#fbfbfb
#878785
#ababa9

See the full White Light/Black Rain: The Destruction of Hiroshima and Nagasaki colour palette — every hex with its share, plus warmth, saturation and luminance.

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