The Sorcerers (1967)
Directed by Michael Reeves · Cinematography by Stanley A. Long
86 min38 frames
Horror
Boris Karloff He Turns Them On…He Turns Them Off…to live…love…die or KILL!
Stills, screencaps & shots from The Sorcerers
16 of 38 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
The Sorcerers — official trailer
What is The Sorcerers about?
An aging hypnotist creates a device that allows the user to control the mind of another person, but his wife abuses its power by manipulating a younger man to commit evil acts.
The Sorcerers is a 1967 British science-fiction horror film directed by Michael Reeves, starring Boris Karloff, Catherine Lacey, Ian Ogilvy, and Susan George. The film is about an elderly couple who use a device to control and feel the experiences of a younger man (Ogilvy), but the wife's intentions become increasingly aggressive and violent.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch The Sorcerers?
US availability for The Sorcerers (1967). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.
Who stars in The Sorcerers?
Who made The Sorcerers?
What does the cinematography of The Sorcerers look like?
Across 38 sampled frames, The Sorcerers builds its coverage from close-ups, with medium shots carrying much of the rest. Cinematographer Stanley A. Long keeps much of it in soft, low-key light. Most of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Focus stays shallow in most of the frames, isolating subjects from their surroundings.
What is the color palette of The Sorcerers?
The dominant colors across the sampled frames of The Sorcerers (1967) are #342f2d, #55514d, #0f0e0f, #8f8d89, #adada9, #8b796c — measured from the per-frame color data FrameThrower extracts for every film.
#342f2d#55514d#0f0e0f#8f8d89#adada9#8b796c
See the full The Sorcerers colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
More films by Michael Reeves
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