The Possession (1950)
Directed by Julio Bracho · Cinematography by Raúl Martínez Solares
102 min106 frames
Drama
Stills, screencaps & shots from The Possession
16 of 106 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















What is The Possession about?
Two old friends get hinky with each other over the deed to a tract of land, and their children's engagement gets broken over it.
Who stars in The Possession?
Who made The Possession?
What does the cinematography of The Possession look like?
Across 106 sampled frames, The Possession builds its coverage from medium shots (50% of the sample), with close-ups (41%) carrying much of the rest. Cinematographer Raúl Martínez Solares keeps 89% of it in hard-edged, low-key light. 90% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 97% of the frames, isolating subjects from their surroundings.
What is the color palette of The Possession?
The dominant colors across the sampled frames of The Possession (1950) are #302f2c, #131311, #514f4a, #48382e, #261b14, #29231c — measured from the per-frame color data FrameThrower extracts for every film.
#302f2c#131311#514f4a#48382e#261b14#29231c
See the full The Possession colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 106 frames of The Possession (1950), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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Cast, trailer and streaming data from TMDB. This product uses the TMDB API but is not endorsed or certified by TMDB.