The Imposter (2012)

Directed by Bart Layton · Cinematography by Lynda Hall, Erik Wilson

R99 min63 frames

DocumentaryMysteryCrime

There are two sides to every lie.

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Stills, screencaps & shots from The Imposter

16 of 63 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

The Imposter (2012) — © RAW, Red Box Films

The Imposter — official trailer

What is The Imposter about?

In 1994 a 13-year-old boy disappeared without a trace from his home in San Antonio, Texas. Three-and-a-half years later he is found alive thousands of miles away in a village in southern Spain with a horrifying story of kidnap and torture. His family is overjoyed to bring him home. But all is not quite as it seems.

Where can you watch The Imposter?

US availability for The Imposter (2012). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in The Imposter?

Who made The Imposter?

What does the cinematography of The Imposter look like?

Sampled across 63 frames, the coverage of The Imposter leans on close-ups (33% of the sample) and establishing shots (25%). Cinematographer Lynda Hall keeps 49% of it in soft, low-key light. Anamorphic glass shapes the frame. Focus stays shallow in 60% of the frames, isolating subjects from their surroundings.

What is the color palette of The Imposter?

The dominant colors across the sampled frames of The Imposter (2012) are #2f312f, #50534e, #0e1312, #152d2f, #334b51, #75756e — measured from the per-frame color data FrameThrower extracts for every film.

  • #2f312f
  • #50534e
  • #0e1312
  • #152d2f
  • #334b51
  • #75756e

See the full The Imposter colour palette — every hex with its share, plus warmth, saturation and luminance.

The Imposter ranks in

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Techniques in this film

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