The Ballad of Cable Hogue (1970)
Directed by Sam Peckinpah · Cinematography by Lucien Ballard
R121 min52 frames
ComedyWesternAction
Cable Hogue says … “Do unto others … as you would have others do unto you.”
Stills, screencaps & shots from The Ballad of Cable Hogue
16 of 52 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















The Ballad of Cable Hogue — official trailer
What is The Ballad of Cable Hogue about?
Double-crossed and left without water in the desert, Cable Hogue is saved when he finds a spring. It is in just the right spot for a much needed rest stop on the local stagecoach line, and Hogue uses this to his advantage. He builds a house and makes money off the stagecoach passengers. Hildy, a prostitute from the nearest town, moves in with him. Hogue has everything going his way until the advent of the automobile ends the era of the stagecoach.
Where can you watch The Ballad of Cable Hogue?
US availability for The Ballad of Cable Hogue (1970). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Ballad of Cable Hogue?
Who made The Ballad of Cable Hogue?
What does the cinematography of The Ballad of Cable Hogue look like?
Sampled across 52 frames, the coverage of The Ballad of Cable Hogue leans on medium shots (54% of the sample) and close-ups (21%). Cinematographer Lucien Ballard keeps 75% of it in soft, naturalistic light. This is largely a daylight film — 69% of the frames play in daylight. Anamorphic glass shapes the frame. Focus stays shallow in 67% of the frames, isolating subjects from their surroundings.
What is the color palette of The Ballad of Cable Hogue?
The dominant colors across the sampled frames of The Ballad of Cable Hogue (1970) are #8e6f53, #372d26, #49372e, #d0b08e, #aa8d70, #705038 — measured from the per-frame color data FrameThrower extracts for every film.
#8e6f53#372d26#49372e#d0b08e#aa8d70#705038
See the full The Ballad of Cable Hogue colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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