The Autopsy of Jane Doe (2016)
Directed by André Øvredal · Cinematography by Roman Osin
R86 min42 frames
HorrorMystery
Every body has a secret.
Stills, screencaps & shots from The Autopsy of Jane Doe
16 of 42 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
The Autopsy of Jane Doe — official trailer
What is The Autopsy of Jane Doe about?
Father and son coroners receive a mysterious unidentified corpse with no apparent cause of death. As they attempt to examine the "Jane Doe," they discover increasingly bizarre clues that hold the key to her terrifying secrets.
The Autopsy of Jane Doe is a 2016 supernatural horror film directed by André Øvredal as his first English-language film. It stars Brian Cox and Emile Hirsch as father-and-son coroners who experience supernatural phenomena while examining the body of an unidentified woman.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch The Autopsy of Jane Doe?
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US availability for The Autopsy of Jane Doe (2016). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Autopsy of Jane Doe?
Who made The Autopsy of Jane Doe?
What does the cinematography of The Autopsy of Jane Doe look like?
Sampled across 37 frames, the coverage of The Autopsy of Jane Doe leans on close-ups and medium shots. Cinematographer Roman Osin keeps most of it in soft, low-key light. Night and dusk account for most of the frames. Anamorphic glass shapes the frame. Focus stays shallow in most of the frames, isolating subjects from their surroundings.
What is the color palette of The Autopsy of Jane Doe?
The dominant colors across the sampled frames of The Autopsy of Jane Doe (2016) are #2f302f, #101111, #152d31, #717270, #4e5352, #b2b3b2 — measured from the per-frame color data FrameThrower extracts for every film.
#2f302f#101111#152d31#717270#4e5352#b2b3b2
See the full The Autopsy of Jane Doe colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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