Stalag 17 (1953)
Directed by Billy Wilder · Cinematography by Ernest Laszlo
Approved120 min65 frames
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Stills, screencaps & shots from Stalag 17
16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Stalag 17 — official trailer
What is Stalag 17 about?
After two American prisoners are killed by guards in the act of escaping from a German POW camp in World War II, barracks black marketeer J.J. Sefton is suspected of being an informer.
Stalag 17 is a 1953 American war film that recounts the story of a group of American airmen confined in a German prisoner-of-war camp. The film focuses on one particular barracks, where the men come to suspect that one of their number is an informant.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch Stalag 17?
US availability for Stalag 17 (1953). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.
Who stars in Stalag 17?
Who made Stalag 17?
What does the cinematography of Stalag 17 look like?
Across 64 sampled frames, Stalag 17 builds its coverage from medium shots (56% of the sample), with wide compositions (22%) carrying much of the rest. Cinematographer Ernest Laszlo keeps 50% of it in soft, low-key light. 67% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. The production design places the film in the 1940s.
What is the color palette of Stalag 17?
The dominant colors across the sampled frames of Stalag 17 (1953) are #050505, #2e2e2e, #8f8f8f, #6c6c6c, #4b4b4b, #cecece — measured from the per-frame color data FrameThrower extracts for every film.
#050505#2e2e2e#8f8f8f#6c6c6c#4b4b4b#cecece
See the full Stalag 17 colour palette — every hex with its share, plus warmth, saturation and luminance.
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