Source Code (2011)
Directed by Duncan Jones · Cinematography by Don Burgess
PG-1393 min48 frames
ThrillerScience FictionMystery
Make every second count.
Stills, screencaps & shots from Source Code
16 of 48 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Source Code — official trailer
What is Source Code about?
When decorated soldier Captain Colter Stevens wakes up in the body of an unknown man, he discovers he's part of a mission to find the bomber of a Chicago commuter train.
Source Code is a 2011 science fiction action thriller film directed by Duncan Jones and written by Ben Ripley. It stars Jake Gyllenhaal as a US Army officer who is sent into an eight-minute virtual re-creation of a real-life train explosion, and tasked with determining the identity of the terrorist who bombed it. Michelle Monaghan, Vera Farmiga, and Jeffrey Wright play supporting roles.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch Source Code?
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US availability for Source Code (2011). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Source Code?
Who made Source Code?
What does the cinematography of Source Code look like?
Across 48 sampled frames, Source Code builds its coverage from close-ups (46% of the sample), with medium shots (25%) carrying much of the rest. Cinematographer Don Burgess keeps 56% of it in soft, naturalistic light. Anamorphic glass shapes the frame. Focus stays shallow in 73% of the frames, isolating subjects from their surroundings.
What is the color palette of Source Code?
The dominant colors across the sampled frames of Source Code (2011) are #2d312e, #0b1213, #344b4f, #586e6f, #4b524d, #a8b2ac — measured from the per-frame color data FrameThrower extracts for every film.
#2d312e#0b1213#344b4f#586e6f#4b524d#a8b2ac
See the full Source Code colour palette — every hex with its share, plus warmth, saturation and luminance.
Source Code ranks in
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Techniques in this film
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