Russian Symphony (1994)
Directed by Konstantin Lopushansky · Cinematography by Nikolai Pokoptsev
108 min31 frames
DramaScience Fiction
Stills, screencaps & shots from Russian Symphony
16 of 31 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
What is Russian Symphony about?
The protagonist finds out that some children were left behind in a sinking school, and is slowly driven mad as he tries to save them. A parable on the theme of the Last Judgment, numerous catastrophic events reveal a certain ambiguity in their origins, accompanied by the terrible suspicion that the things going on are some kind of a performance or theatrical production.
Who stars in Russian Symphony?
Who made Russian Symphony?
Konstantin LopushanskyDirector- Nikolai PokoptsevCinematography
Alexandr GolutvaProducer- Raisa ProskuryakovaProducer
What does the cinematography of Russian Symphony look like?
Sampled across 31 frames, the coverage of Russian Symphony leans on medium shots and wide compositions. Cinematographer Nikolai Pokoptsev keeps almost all of it in soft, low-key light. Night and dusk account for most of the frames. Vintage glass shapes the frame. Focus stays shallow in most of the frames, isolating subjects from their surroundings.
What is the color palette of Russian Symphony?
The dominant colors across the sampled frames of Russian Symphony (1994) are #2b1207, #4f260d, #8d340d, #471708, #0f0a04, #aa5528 — measured from the per-frame color data FrameThrower extracts for every film.
#2b1207#4f260d#8d340d#471708#0f0a04#aa5528
See the full Russian Symphony colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 31 frames of Russian Symphony (1994), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Konstantin Lopushansky
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