Pierrot Le Fou (Crazy Pete) (1965)
Directed by Jean-Luc Godard · Cinematography by Raoul Coutard
PG-13110 min63 frames
DramaRomanceCrime
You've met the tame Godard, the love Godard, the think Godard, ...now meet the wild Godard!
Stills, screencaps & shots from Pierrot Le Fou (Crazy Pete)
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Pierrot Le Fou (Crazy Pete) — official trailer
What is Pierrot Le Fou (Crazy Pete) about?
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
Where can you watch Pierrot Le Fou (Crazy Pete)?
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Who stars in Pierrot Le Fou (Crazy Pete)?
Who made Pierrot Le Fou (Crazy Pete)?
What does the cinematography of Pierrot Le Fou (Crazy Pete) look like?
Sampled across 63 frames, the coverage of Pierrot Le Fou (Crazy Pete) leans on medium shots (43% of the sample) and wide compositions (25%). Cinematographer Raoul Coutard keeps 60% of it in soft, naturalistic light. This is largely a daylight film — 73% of the frames play in daylight. Deep focus keeps foreground and background readable at once in 57% of the frames. The production design places the film in the 1960s.
What is the color palette of Pierrot Le Fou (Crazy Pete)?
The dominant colors across the sampled frames of Pierrot Le Fou (Crazy Pete) (1965) are #f7f7f6, #cfd1ce, #342f2d, #a8aaaa, #8f8b73, #555049 — measured from the per-frame color data FrameThrower extracts for every film.
#f7f7f6#cfd1ce#342f2d#a8aaaa#8f8b73#555049
See the full Pierrot Le Fou (Crazy Pete) colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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