Paul (2011)
Directed by Greg Mottola · Cinematography by Lawrence Sher
R104 min64 frames
AdventureComedyScience Fiction
Who's up for a close encounter?
Stills, screencaps & shots from Paul
16 of 64 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Paul — official trailer
What is Paul about?
For the past 60 years, a space-traveling smart-ass named Paul has been locked up in a top-secret military base, advising world leaders about his kind. But when he worries he’s outlived his usefulness and the dissection table is drawing uncomfortably close, Paul escapes on the first RV that passes by his compound in Area 51. Fortunately, it contains the two earthlings who are most likely to rescue and harbor an alien on the run.
Where can you watch Paul?
US availability for Paul (2011). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.
Who stars in Paul?
Who made Paul?
What does the cinematography of Paul look like?
Sampled across 63 frames, the coverage of Paul leans on wide compositions (35% of the sample) and close-ups (32%). Cinematographer Lawrence Sher keeps 49% of it in soft, low-key light. Night and dusk account for 54% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 59% of the frames, isolating subjects from their surroundings.
What is the color palette of Paul?
The dominant colors across the sampled frames of Paul (2011) are #30322f, #51514a, #0e1110, #72736c, #91938e, #d2cdb4 — measured from the per-frame color data FrameThrower extracts for every film.
#30322f#51514a#0e1110#72736c#91938e#d2cdb4
See the full Paul colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 64 frames of Paul (2011), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Greg Mottola
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