Next Door (2005)

Directed by Pål Sletaune · Cinematography by John Andreas Andersen

75 min40 frames

MysteryThriller

Some doors should never be opened.

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Stills, screencaps & shots from Next Door

16 of 40 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Next Door (2005) — © Nordisk Film Sweden, Produksjon 4 1/2

Next Door — official trailer

What is Next Door about?

After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.

Who stars in Next Door?

Who made Next Door?

What does the cinematography of Next Door look like?

Across 40 sampled frames, Next Door builds its coverage from medium shots (48% of the sample), with close-ups (20%) carrying much of the rest. Cinematographer John Andreas Andersen keeps 50% of it in soft, naturalistic light. 48% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 65% of the frames, isolating subjects from their surroundings.

What is the color palette of Next Door?

The dominant colors across the sampled frames of Next Door (2005) are #2f302a, #52534b, #4b4737, #948b74, #151613, #73746e — measured from the per-frame color data FrameThrower extracts for every film.

  • #2f302a
  • #52534b
  • #4b4737
  • #948b74
  • #151613
  • #73746e

See the full Next Door colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 40 frames of Next Door (2005), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

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