Monkeybone (2001)
Directed by Henry Selick · Cinematography by Andrew Dunn
PG-1393 min59 frames
AdventureFantasyAnimationComedy
Get boned!
Stills, screencaps & shots from Monkeybone
16 of 59 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Monkeybone — official trailer
What is Monkeybone about?
After a car crash sends repressed cartoonist Stu into a coma, he and the mischievous Monkeybone, his hilarious alter-ego, wake up in a wacked-out waystation for lost souls. When Monkeybone takes over Stu's body and escapes to wreak havoc on the real world, Stu has to find a way to stop him before his sister pulls the plug on reality forever!
Where can you watch Monkeybone?
US availability for Monkeybone (2001). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Monkeybone?
Who made Monkeybone?
What does the cinematography of Monkeybone look like?
Sampled across 59 frames, the coverage of Monkeybone leans on medium shots (54% of the sample) and close-ups (20%). The camera returns again and again to high angles. Cinematographer Andrew Dunn keeps 53% of it in soft, low-key light. Night and dusk account for 63% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 59% of the frames, isolating subjects from their surroundings.
What is the color palette of Monkeybone?
The dominant colors across the sampled frames of Monkeybone (2001) are #2f2d2d, #090809, #f6f6f6, #d3d2d0, #313650, #717171 — measured from the per-frame color data FrameThrower extracts for every film.
#2f2d2d#090809#f6f6f6#d3d2d0#313650#717171
See the full Monkeybone colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 59 frames of Monkeybone (2001), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Henry Selick
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