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Max (2002)

Directed by Menno Meyjes · Cinematography by Lajos Koltai

R106 min68 frames

WarDrama

Art + Politics = Power

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Stills, screencaps & shots from Max

16 of 68 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Max (2002) movie still: medium — A soldier kneels beside a German shepherd against a weathered stone wall structure. The soldier wears tactical gear…Max (2002) movie still: medium — A woman stands in front of a gray-sided building with windows. She wears a hotel name tag while looking toward an…Max (2002) movie still: medium — A residential backyard with green lawn, trees, and a light blue house exterior. A teenage girl walks through the…Max (2002) movie still: medium — A sun-drenched dusty quarry features piles of pale stone and a rusted vehicle. Two soldiers in digital camouflage…Max (2002) movie still: medium — A view through a multi-pane house window into a warm, lived-in interior space. A young woman sits near the curtain…Max (2002) movie still: medium — A utilitarian indoor kennel features light-colored walls and vertical metal bars. A person stands behind the bars…Max (2002) movie still: closeup — A patch of green grass serves as the backdrop for a prone person. The subject rests on the ground with their arm…Max (2002) movie still: fullbody — A residential backyard sits behind a light blue house with a patio and lawn. A boy and a woman interact with a…Max (2002) movie still: medium — A utilitarian enclosure with a smooth concrete floor and vertical metal bars in front. A German Shepherd sits on…Max (2002) movie still: medium — Three teenagers stand in a wooded area with dense green foliage behind them. The group consists of one girl and two…Max (2002) movie still: medium — A group of people dressed in formal attire gathers inside a bright church space. A woman in a black shirt stands…Max (2002) movie still: medium — A dry, sunlit limestone quarry features rough, light-colored rock formations in the background. Two soldiers in…Max (2002) movie still: medium — A Belgian Malinois dog stands on a green suburban lawn outdoors. The dog looks toward the right side of the frame…Max (2002) movie still: establishing — A two-story suburban house sits in darkness at night with trees surrounding it. The front door is illuminated…Max (2002) movie still: medium — A laptop screen rests on a wooden coffee table near an open newspaper. A man is visible on the video chat screen…Max (2002) movie still: wide — A vast, open quarry with light-colored dirt and rocky mounds under bright sunlight. A German shepherd wearing a…
Max (2002) — © Pathé Pictures International, Alliance Atlantis

Max — official trailer

What is Max about?

In 1918, a young, disillusioned Adolf Hitler strikes up a friendship with a Jewish art dealer while weighing a life of passion for art vs. talent at politics

Where can you watch Max?

US availability for Max (2002). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.

Who stars in Max?

Who made Max?

What does the cinematography of Max look like?

Sampled across 68 frames, the coverage of Max leans heavily on medium shots (75% of the sample). Cinematographer Lajos Koltai keeps 85% of it in soft, naturalistic light. This is largely a daylight film — 71% of the frames play in daylight. Focus stays shallow in 81% of the frames, isolating subjects from their surroundings.

What is the color palette of Max?

The dominant colors across the sampled frames of Max (2002) are #302e2b, #d9d5cb, #55554c, #d3c8b0, #908f72, #111110 — measured from the per-frame color data FrameThrower extracts for every film.

  • #302e2b
  • #d9d5cb
  • #55554c
  • #d3c8b0
  • #908f72
  • #111110

See the full Max colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 68 frames of Max (2002), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

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