Life, and Nothing More (1992)
Directed by Abbas Kiarostami · Cinematography by Homayun Payvar
95 min42 frames
DramaAdventure
The Earth moved, we didn't!
Stills, screencaps & shots from Life, and Nothing More
16 of 42 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Life, and Nothing More — official trailer
What is Life, and Nothing More about?
After the earthquake of Guilan, a film director and his son travel to the devastated area to search for the actors from the movie the director made there a few years previously. In their search, they see how people who have lost everything in the earthquake still have hope and try to live life to the fullest.
Where can you watch Life, and Nothing More?
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US availability for Life, and Nothing More (1992). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Life, and Nothing More?
Who made Life, and Nothing More?
What does the cinematography of Life, and Nothing More look like?
Across 42 sampled frames, Life, and Nothing More builds its coverage from medium shots (31% of the sample), with wide compositions (21%) carrying much of the rest. Cinematographer Homayun Payvar keeps 93% of it in soft, naturalistic light. Daylight carries most of the picture. Vintage glass shapes the frame, over a texture recalling 16mm. Deep focus keeps foreground and background readable at once in 57% of the frames. The production design places the film in the 1990s.
What is the color palette of Life, and Nothing More?
The dominant colors across the sampled frames of Life, and Nothing More (1992) are #918f6f, #353834, #d1ceb4, #51564d, #d7d6d0, #707254 — measured from the per-frame color data FrameThrower extracts for every film.
#918f6f#353834#d1ceb4#51564d#d7d6d0#707254
See the full Life, and Nothing More colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
More films by Abbas Kiarostami
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